Emanuel Röhss


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click on the images for pressrelease / project description.



De-Ruining, 2018, clay and hay, approximately 16 x 16 x 48 inches.



De-Ruining, 2018, installation view at Thielska Galleriet, Stockholm.



De-Ruining, 2018, clay and hay, approximately 16 x 16 x 48 inches.



In Broad Daylight, 2018, installation view at Issues Gallery, Stockholm.



In Broad Daylight, 2018, installation view at Issues Gallery, Stockholm.



Afternoon, 2 pm, June 21, 2018, acrylic on dibond, 60 x 59 inches.



Afternoon, 7 pm, June 21, 2018, acrylic on dibond, 60 x 59 inches.



Out of Joint, 2018, Installation view at 818 N Spring St, Los Angeles



Out of Joint, 2018, detail, hydrocal, burlap and aluminum.



Tierra Rara, 2018, installation view at Hotel Carlota, Mexico City.



Comenzando, El Medio y El Final 2018, fiberglass reinforced urethane, 47 1/4 x 15 3/4 x 15 3/4 inches.



The Thattch of The Roof And/Or How to Divide a Room in Two, 2017 installation view at Salon Kennedy, Frankfurt am Main.



Totes Mask, 2017, vacuum formed PVC, spray paint, velcro, architectural maquette, approximately 44 x 39 3/8 x 149 3/5 inches.



These Feet, 2017, urethane, aluminum, steel, rubber, electric motor, hardware, 17 3/4 x 13 3/4 x 7 7/8 inches.



End Frames, 2017, installation view at Coma Gallery, Sydney.



End Frames, 2017, installation view at Coma Gallery, Sydney.




The Wicker Man, 2017, acrylic and pigment on alumacorr, 32 x 60 inches.



True Romance, 2017, acrylic on alumacorr, 32 x 60 inches.



Mad Horizon, 2016, installation view at Index, the Swedish Contemporary Art Foundation, Stockholm.



The Narrator, 2016, 3D printed plastic, UV light, 10 x 5 x 4 1/2 inches.



Mad Horizon, 2016, installation view at Index, the Swedish Contemporary Art Foundation, Stockholm.



Spectator Mode, 2015, acrylic and inkjet print on linen, 96 x 48 inches.



Bathers, 2015, acrylic and inkjet print on linen, 96 x 48 inches.



Invitstion to Love, 2016, installation view at Thomas Duncan Gallery, Los Angeles.



Ytterstad, 2015, installation view at Johan Bergren Gallery, Malmö.



The Night Holds Terror, 2015, Installation view at SALTS, Basel.



Boutique Litigation, 2015, installation view at T293, Rome.


The Narcisist, 2015, urethane foam, spraypaint, epoxy, plexiglass, 45 x 10 x 12 inches.



Rose Foulkner, London, 2014, reinforced concrete, 66 7/8 x 35 1/2 x 3 7/8 inches.



Emanuel Rohss, 2015, installation view at Fondazione Museo Pino Pascali, Polignano a Mare, Italy.



Soft Jazz, 2014, installation view at Carl Kostyál, Stockholm.